Category Archives: Paintings

Let Them Eat Hash Brownies

Let_Them_Eat_Hash_Brownies

Diptych, 82cm x 51cm. (Each canvas is 41cm x 51cm.) Acrylic and oil on canvas.

Through the Looking Glass III

through_the_looking_glass_iii

oil on canvas, 77cm x 55cm

Through the Looking Glass II

throughthelookingglass2_oiloncanvas_75x55_2016

Oil on Canvas, 77cm x 55cm

This painting is from the series Through the Looking Glass, which are sections of idyllic scenes seen through a kaleidoscope. The handmade flexible kaleidoscope introduces reflections and distortions which feed back upon themselves. They are symbolic of choices, possibilities, and perhaps even of parallel universes and other magical realms.

Through the Looking Glass I

throughthelookingglass1_oiloncanvas_75x55_2016

Oil on canvas, 77cm x 55cm

Better Red than Dead (Kaleidoscope Self-Portrait #4)

BetterRedThanDead.jpg

Private collection, London

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

Reality is Not a Fixed Point. (Kaleidoscope Self-Portrait #3)

realityisnotafixedpoint

Private collection, London

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

 

Kaleidoscope Eyes (Self-Portrait Through a Kaleidoscope #2)

KaleidoscopeEyes.jpg

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

 

Can’t See the Forest – installation view

cant_see_the_forest

In it’s entirety. Shown here at the Stoke Newington Library Gallery. Never again will they all hang together!

Stephanie, from Can’t See the Forest

stephanie_cantseetheforest

Private collection, France

Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Miriam, from Can’t See the Forest

miriam_cantseetheforest

Private Collection, Liverpool

50cm x 50cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Ben, from Can’t See the Forest

Ben-Can't_See_the_Forest

40cm x 30cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Zia, from Can’t See the Forest

Zia-Can't_See_the_Forest

40cm x 51cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Wana, from Can’t See the Forest

Wana-Can't_See_the_Forest

20cm x20cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Reka, from Can’t See the Forest

Reka-Can't_See_the_Forest

20cm x 25cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Joe, from Can’t See the Forest

Joe-Can't_See_the_Forest

20cm x 20cm, oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Holly, from Can’t See the Forest

Holly-Can't_See_the_Forest

40cm x 50cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Joel, from Can’t See the Forest

Joel-Can't_See_The_Forest

20cm x 25cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Tilly, from Can’t See the Forest

Tilly-Can't_See_The_Forest

40cm x 50cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Attraction/Refraction (Self-Portrait Through a Kaleidoscope #1)

AttractionRefraction

Private Collection, London

oil on canvas, 41cm x 41cm

Tilly as Brahdi, Smoking- In Situ

Tilly as Brahdi, smoking

This painting now lives on the wall of the living room in Loraine’s house in Guildford.

Sarah and Lynnie, from Can’t See the Forest

Buffam_Eleanor_'Sarah_and_Lynnie'

Oil on canvas

51cm x 41cm

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Karolina, from Can’t See the Forest

Buffam_Eleanor_'Karolina'

Acrylic and oil on canvas

20cm x 20cm

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Cooper, from Can’t See the Forest

Buffam_Eleanor_'Cooper'

41cm x 41cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Bobbles, from Can’t See the Forest

Buffam_Eleanor_'Bobbles'

41cm x 31cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Chelsa, from Can’t See the Forest

Buffam_Eleanor_'Chelsa'

Private collection, London

61cm x 61cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Between Somewhere and Nowhere- in situ

BetweenSomewhereAndNowhere_Cleethorpes

Between Somewhere and Nowhere, now owned by Katie Teakle, hangs on her wall in her house in Cleethorpes. She saw it hanging in the Steward’s Room at West Dean College and fell in love!

In Our Midst

In Our Midst acrylic and oil on canvas 20 cm x 20 cm

In Our Midst
acrylic and oil on canvas
20 cm x 20 cm

Private Collection, London, UK

Lucy as Aries

The astrology poem in its entirety:

Shine on, bright little fish / Twinkling Diamonds in our midst

The Astrology series explores humanity’s relationship with the cosmos, and our deep-rooted desire to explain the paths of our lives. It’s an ancient belief that the movement of the stars influences our lives on Earth. In these modern times astrology is often looked upon as akin to superstition, although most of us will read our horoscope if it’s presented to us. It’s interesting to learn that in fact there are proven cases where the stars and planets do affect our lives- for example, Jupiter, with its large mass and gravitational pull, is instrumental in diverting asteroids that would otherwise impact our planet. A more tangible relationship between the stars and ourselves is that every element that makes up our bodies has been manufactured inside an ancient star out there in the Universe. As Carl Sagan famously said, “We are all made of star stuff.”

Diamonds

Diamonds acrylic and oil on canvas 20 cm x 20 cm

Diamonds
acrylic and oil on canvas
20 cm x 20 cm

Miriam as Pisces

 

Ruminating

Ruminating Acrylic and oil on canvas 75cm x 55cm

Ruminating
Acrylic and oil on canvas
75cm x 55cm

Lucy as Aries.

Twinkling

Twinkling acrylic and oil on canvas 20 cm x 20 cm

Twinkling
acrylic and oil on canvas
20 cm x 20 cm

Zia as Taurus