Tag Archives: oil on canvas

Reflections on a Sunny Summer Day: Customs Wharf (Leith Shore)

This painting depicts the houses of Customs Wharf in Leith reflected in the Water of Leith before them.

From the ongoing Leith Shore series. The Shore is the historic dock of the port of Leith in Edinburgh, where the Water of Leith meets the Firth of Forth, and it is easily one of the most beautiful parts of the city. I am lucky enough to live a very short walk away, and I will continue this series to explore the buildings and reflections of the Shore and the Water of Leith.

Autumn Exhibition at Zenwalls Gallery in Peebles

I’m pleased to have been selected as one of the exhiting artists in the Autumn exhibition at Zenwalls Gallery, 68 Highstreet, Peebles, in the Scottish Borders.

Zenwalls Gallery specialises in abstract, classic and photographic mediums. The space hosts regularly changing engaging and thought-provoking exhibitions by both established artists and exciting new talent. With an emphasis on experimentation and interpretation, and a focus on exploring art in its historical, cultural and social contexts, Zenwalls serves as a gallery-laboratory.

Here is the installation view- I love the way that my paintings are in coversation with the seaweed photos by Allan Wright:

These are the paintings on display- three from the Reflections on the Water of Leith series and two from the From Portobello in the Rain series:

Through the Looking Glass I

throughthelookingglass1_oiloncanvas_75x55_2016

Oil on canvas, 77cm x 55cm

NOA. National Open Art

Open_Windows_Wana_on_the_Robin_Hood_Garden_Estate

Open Windows: Wana on the Robin Hood Gardens Estate acrylic and oil on canvas 125 cm x 85 cm

I’m thrilled to announce that my painting of Wana has been selected for this years NOA!

The exhibition is at the Mercers’ Hall, Ironmonger Lane, LONDON EC2V 8HE

27 October – 4 November 2016

October | Thu 27 & Fri 28 | 10.00 – 15.00
Sat 29 & Sun 30 | 10.00 – 16.00
Mon 31 | 10.00 – 18.00
Tue 1 & Wed 2 | 10.00 – 18.00
Thu 3 | 10.00 – 17.30 Fri 4 | 10.00 – 18.00

Admission is free.

Better Red than Dead (Kaleidoscope Self-Portrait #4)

BetterRedThanDead.jpg

Private collection, London

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

Reality is Not a Fixed Point. (Kaleidoscope Self-Portrait #3)

realityisnotafixedpoint

Private collection, London

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

 

Kaleidoscope Eyes (Self-Portrait Through a Kaleidoscope #2)

KaleidoscopeEyes.jpg

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

 

Miriam, from Can’t See the Forest

miriam_cantseetheforest

Private Collection, Liverpool

50cm x 50cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Ben, from Can’t See the Forest

Ben-Can't_See_the_Forest

40cm x 30cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Wana, from Can’t See the Forest

Wana-Can't_See_the_Forest

20cm x20cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Reka, from Can’t See the Forest

Reka-Can't_See_the_Forest

20cm x 25cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Joe, from Can’t See the Forest

Joe-Can't_See_the_Forest

20cm x 20cm, oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Holly, from Can’t See the Forest

Holly-Can't_See_the_Forest

40cm x 50cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Attraction/Refraction (Self-Portrait Through a Kaleidoscope #1)

AttractionRefraction

Private Collection, London

oil on canvas, 41cm x 41cm

“Exposed” curated by Blair Zaye

AttractionRefraction

Attraction/Refraction (Self-Portrait Through a Kaleidoscope #1)

This painting will be on show as part of the “Exposed” exhibition

Ben Oakley Gallery, 9 Turnpin Lane, SE10 9JA

London, United Kingdom

12th-14th August

Private View 11th August 18:00 – RSVP via the facebook event https://www.facebook.com/events/153172208425982/

Sarah and Lynnie, from Can’t See the Forest

Buffam_Eleanor_'Sarah_and_Lynnie'

Oil on canvas

51cm x 41cm

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Karolina, from Can’t See the Forest

Buffam_Eleanor_'Karolina'

Acrylic and oil on canvas

20cm x 20cm

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Cooper, from Can’t See the Forest

Buffam_Eleanor_'Cooper'

41cm x 41cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Bobbles, from Can’t See the Forest

Buffam_Eleanor_'Bobbles'

41cm x 31cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Chelsa, from Can’t See the Forest

Buffam_Eleanor_'Chelsa'

Private collection, London

61cm x 61cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Bright

Bright acrylic and oil on canvas 20 cm x 20 cm

Bright
acrylic and oil on canvas
20 cm x 20 cm

Miriam as Pisces

 

Give Up

Give_Up

Private collection, London

55cm x 76cm, acrylic and oil on canvas

 

Beware of Mental Calcification

Beware_Of_Mental_Calcification

76cm x 55cm, acrylic and oil on canvas

FLUX EXHIBITION 19 – 22 FEBRUARY, 2015

FLUX_FLYER

PRIVATE VIEW –  WEDNESDAY 18 FEBRUARY 6-9PM

I am very excited to be showing in this exhibition along with many other talented artists from around the world.

From the Gray’s Gallery website:

“Gray’s Art Gallery is an exciting new venture aiming to bridge the gap between artists and buyers, bringing contemporary art to a wider audience and actively seeking collaborations, commissions, and fantastic venues for exhibitions. The first event ‘FLUX’ will be held in February 2015 and will showcase a group of 70 exceptionally talented contemporary artists. FLUX will be a visual feast of art, sculpture, live graffiti and performance.

Work is curated globally from a diverse range of artists all chosen for having an edge in their field. Visitors will have a chance to get up close and personal with today’s hottest artists on the 18th of February when the artists showcasing will be at FLUX to discuss their work.”

http://www.graysartgallery.com/

Miriam:Resurrection

Miriam_Resurrection

55 x 76 cm

Oil on canvas

The Beholder

The_Beholder_smaller

Private collection, Guildford

75 x 125 cm

Acrylic and oil on canvas

Image

Julia

Julia_Painting

76  x 125 cm

Acrylic and oil on canvas

 

A Conscious Identity- 11-16 September 2014

Group Show at Espacio Gallery

A Conscious Identity opens 11 September from 6-9 and runs until the 16th.

Espacio Gallery
159 Bethnal Green Road, Shoreditch, London
E2 7DG

New paintings. In High Definition! Come and see them.

 

4 day course in Acrylic Image Transfer with Painting- 7-11 December 2014 at West Dean College

I’m really excited to be teaching this longer and more intensive version of the course that I taught in April. This is my favourite technique- I use it in most of my paintings. I’ve always been interested in combining my photography and painting. Acrylic transfer has been around about as long as acrylic paints, but it started to really make sense when combined with Photoshop, acrylic colours, and laser jet printing- giving me the freedom to work in any scale. I’ve been perfecting my methods over the last four years and now I want to teach you what I’ve discovered!

The course takes place at the absolutely gorgeous West Dean College near Chichester in West Sussex. For more information, click here!

Oil on Canvas 124 x 75 cm

Acrylic Image Transfer and Oil on Canvas
124 x 75 cm

 

 

Self Portrait: Through Time and Space

SelfPortraitThroughTime

124 x 174 cm

Acrylic and oil on canvas