Tag Archives: contemporary painting

ING Discerning Eye

Mall Galleries
The Mall, London, SW1Y 5AS
15-24 November 2024


The ING Discerning Eye 2024 has been chosen by six distinguished selectors and will be on exhibition at the Mall Galleries, London 15 – 24 November 2024. There will be daily artist demonstrations. The online shop will be open when the exhibition opens.

My piece is a tiny framed painting of a view through a curving branch in my neighbour’s garden, to a house with a cupola and widow’s walk on Commercial Street in Leith. This building used to back onto the docks, but they have since been filled in and the water is a little further away.

Flux Exhibition 2-6 November 2016

 

Telephonophobia

Telephonophobia acrylic and oil on canvas 51 cm x 46 cm

From the Facebook event page: Now in it’s third edition, FLUX has established itself as the platform for contemporary artists to be discovered and to be part of an exceptional, unconventional art event.

Hosted by the iconic Old Truman Brewery in East London and curated by Lisa Gray founder of FLUX, this year’s much anticipated exhibition, represents a rare opportunity to gain access to a diverse group of 140 artists, on the path of being the big names of tomorrow. FLUX celebrates dynamic artists on the precipice of wider accolade and fame.
This time Flux will be held in the Old Truman Brewery at 91 Brick Lane, E1 6QL.
Opening Hours:
2nd Nov 11-7pm
3rd Nov 11-5pm (Private View 6.30-9.30pm)
4th Nov 11-7pm
5th Nov 11-7pm
6th Nov 11-6pm

Admission is free.

NOA. National Open Art

Open_Windows_Wana_on_the_Robin_Hood_Garden_Estate

Open Windows: Wana on the Robin Hood Gardens Estate acrylic and oil on canvas 125 cm x 85 cm

I’m thrilled to announce that my painting of Wana has been selected for this years NOA!

The exhibition is at the Mercers’ Hall, Ironmonger Lane, LONDON EC2V 8HE

27 October – 4 November 2016

October | Thu 27 & Fri 28 | 10.00 – 15.00
Sat 29 & Sun 30 | 10.00 – 16.00
Mon 31 | 10.00 – 18.00
Tue 1 & Wed 2 | 10.00 – 18.00
Thu 3 | 10.00 – 17.30 Fri 4 | 10.00 – 18.00

Admission is free.

Reality is Not a Fixed Point. (Kaleidoscope Self-Portrait #3)

realityisnotafixedpoint

Private collection, London

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

 

My Sex, My Self -14 women artists exploring sensuality through self-portraiture

AttractionRefraction

Four of my self-portrait kaleidoscope paintings feature in this wonderfully diverse and ground-breaking show. The exhibition has been featured in BUST magazine. On until the 4th of October, 2016, in Crouch End.

Ply Gallery, Hornsey Town Hall Arts Centre, The Broadway, N8 9JJ, Crouch End, London.

Ben, from Can’t See the Forest

Ben-Can't_See_the_Forest

40cm x 30cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Zia, from Can’t See the Forest

Zia-Can't_See_the_Forest

40cm x 51cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Wana, from Can’t See the Forest

Wana-Can't_See_the_Forest

20cm x20cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Reka, from Can’t See the Forest

Reka-Can't_See_the_Forest

20cm x 25cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Joe, from Can’t See the Forest

Joe-Can't_See_the_Forest

20cm x 20cm, oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Holly, from Can’t See the Forest

Holly-Can't_See_the_Forest

40cm x 50cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Joel, from Can’t See the Forest

Joel-Can't_See_The_Forest

20cm x 25cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Tilly, from Can’t See the Forest

Tilly-Can't_See_The_Forest

40cm x 50cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Attraction/Refraction (Self-Portrait Through a Kaleidoscope #1)

AttractionRefraction

Private Collection, London

oil on canvas, 41cm x 41cm

“Exposed” curated by Blair Zaye

AttractionRefraction

Attraction/Refraction (Self-Portrait Through a Kaleidoscope #1)

This painting will be on show as part of the “Exposed” exhibition

Ben Oakley Gallery, 9 Turnpin Lane, SE10 9JA

London, United Kingdom

12th-14th August

Private View 11th August 18:00 – RSVP via the facebook event https://www.facebook.com/events/153172208425982/

Sarah and Lynnie, from Can’t See the Forest

Buffam_Eleanor_'Sarah_and_Lynnie'

Oil on canvas

51cm x 41cm

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Karolina, from Can’t See the Forest

Buffam_Eleanor_'Karolina'

Acrylic and oil on canvas

20cm x 20cm

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Cooper, from Can’t See the Forest

Buffam_Eleanor_'Cooper'

41cm x 41cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Bobbles, from Can’t See the Forest

Buffam_Eleanor_'Bobbles'

41cm x 31cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Chelsa, from Can’t See the Forest

Buffam_Eleanor_'Chelsa'

Private collection, London

61cm x 61cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.