Tag Archives: painting

Nasturtium v1

Oil on canvas, 31cm x 41cm

Nasturtiums are the best. The bees love them, they grow like crazy, they’re beautiful and edible with a lovely peppery taste.

This summer I bought myself a macro lens to explore my garden in miniature. As I have not been very well- suffering from ME/CFS which limits my energy- I spend a lot of time just sitting in my garden. My garden is tiny, and urban, mostly paved, with lots of things in pots.

Glimpse

Mixed media on canvas board, 10cm x 15cm

A view from my garden to this interesting building which has a sort of widow’s walk on it. The docks used to be directly behind that building, it has now been filled in and is a bit further away, though not far!

This is made with acrylic transfer, acrylic, and oil on a postcard sized canvas board.

From Portobello in the Rain III

 

Oil on canvas board

10cm x 15cm

Portrait of Emma

Emma Portrait

Oil on canvas

41 cm x 51 cm

Emma is an Occupational Therapist who is currently working in an Intensive Therapy Unit due to the coronavirus crisis. She says the work is both physically and mentally exhausting and she cries into her mask most shifts. Emma and I bonded over our shared love of animals, gardening, and our shared values including love and respect for the NHS.

Painted for the #portraitsfornhsheroes project

Emma portrait detail

From Portobello in the Rain II

Oil on canvas board

10 cm x 15 cm, Postcard sized mini-painting

From Portobello in the Rain I

 

Oil on canvas board

10 cm x 15 cm postcard sized mini-painting

Purple Transformation

 

 

Purple_Trasformation

Private collection, Edinburgh

Acrylic and Oil on canvas

82cm x 51cm (Diptych- each painting is 41 x 51 cm)

The Shambala series is about the dangers of black and white thinking, contrasting mirror images of festival scenes. One side is purely black and white, and the other side is in full colour. Different perspectives give us different ways to see the world, but some of them don’t give us the full picture- black and white thinking can lose much of the truth. Mirror images are my metaphors for alternate realities, possibilities, or parallel universes.

Through the Looking Glass II

throughthelookingglass2_oiloncanvas_75x55_2016

Oil on Canvas, 77cm x 55cm

This painting is from the series Through the Looking Glass, which are sections of idyllic scenes seen through a kaleidoscope. The handmade flexible kaleidoscope introduces reflections and distortions which feed back upon themselves. They are symbolic of choices, possibilities, and perhaps even of parallel universes and other magical realms.

Through the Looking Glass I

throughthelookingglass1_oiloncanvas_75x55_2016

Oil on canvas, 77cm x 55cm

Better Red than Dead (Kaleidoscope Self-Portrait #4)

BetterRedThanDead.jpg

Private collection, London

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

Kaleidoscope Eyes (Self-Portrait Through a Kaleidoscope #2)

KaleidoscopeEyes.jpg

Oil on canvas, 41cm x 41cm.

The kaleidoscope self-portraits investigate the way my own self-image has developed from reflections and distortions, focusing on specific body parts such as breasts, hips and face. A glanced reflection in a shop window, an image reflected in the eyes of another, a view of myself through the lens of body-shaming media culture, images coloured by emotions and contradictory evaluations- these are all ways that my body is reflected back to me. These paintings, as well as being a poetic representation of these reflections, are also a way to take back control of the portrayal of my own body, and revel in the power of being my own muse.

 

Miriam, from Can’t See the Forest

miriam_cantseetheforest

Private Collection, Liverpool

50cm x 50cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Ben, from Can’t See the Forest

Ben-Can't_See_the_Forest

40cm x 30cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Zia, from Can’t See the Forest

Zia-Can't_See_the_Forest

40cm x 51cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Wana, from Can’t See the Forest

Wana-Can't_See_the_Forest

20cm x20cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Holly, from Can’t See the Forest

Holly-Can't_See_the_Forest

40cm x 50cm. Oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Tilly, from Can’t See the Forest

Tilly-Can't_See_The_Forest

40cm x 50cm. Acrylic and oil on canvas.

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Attraction/Refraction (Self-Portrait Through a Kaleidoscope #1)

AttractionRefraction

Private Collection, London

oil on canvas, 41cm x 41cm

“Exposed” curated by Blair Zaye

AttractionRefraction

Attraction/Refraction (Self-Portrait Through a Kaleidoscope #1)

This painting will be on show as part of the “Exposed” exhibition

Ben Oakley Gallery, 9 Turnpin Lane, SE10 9JA

London, United Kingdom

12th-14th August

Private View 11th August 18:00 – RSVP via the facebook event https://www.facebook.com/events/153172208425982/

Sarah and Lynnie, from Can’t See the Forest

Buffam_Eleanor_'Sarah_and_Lynnie'

Oil on canvas

51cm x 41cm

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Karolina, from Can’t See the Forest

Buffam_Eleanor_'Karolina'

Acrylic and oil on canvas

20cm x 20cm

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Cooper, from Can’t See the Forest

Buffam_Eleanor_'Cooper'

41cm x 41cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Bobbles, from Can’t See the Forest

Buffam_Eleanor_'Bobbles'

41cm x 31cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

Chelsa, from Can’t See the Forest

Buffam_Eleanor_'Chelsa'

Private collection, London

61cm x 61cm

Oil on canvas

The paintings in Can’t See the Forest are an extension of my Symbiont series; portraits of people merging with trees. The Symbionts are inspired by the cracks in the pavement where trees take root, in the decay and rebirth of the world. They emphasize our interconnectedness with the other living things that make up our planet, and highlight the decisions we need to make if we are to survive as a species.

Can’t See the Forest is comprised of fifteen paintings of varying sizes, which when hung together combine to create a forest scene. Each painting can be viewed either separately or in combination with its companions. Only by viewing them together can one see the whole picture, but only by viewing them separately can one appreciate each individual personality.

In Our Midst

In Our Midst acrylic and oil on canvas 20 cm x 20 cm

In Our Midst
acrylic and oil on canvas
20 cm x 20 cm

Private Collection, London, UK

Lucy as Aries

The astrology poem in its entirety:

Shine on, bright little fish / Twinkling Diamonds in our midst

The Astrology series explores humanity’s relationship with the cosmos, and our deep-rooted desire to explain the paths of our lives. It’s an ancient belief that the movement of the stars influences our lives on Earth. In these modern times astrology is often looked upon as akin to superstition, although most of us will read our horoscope if it’s presented to us. It’s interesting to learn that in fact there are proven cases where the stars and planets do affect our lives- for example, Jupiter, with its large mass and gravitational pull, is instrumental in diverting asteroids that would otherwise impact our planet. A more tangible relationship between the stars and ourselves is that every element that makes up our bodies has been manufactured inside an ancient star out there in the Universe. As Carl Sagan famously said, “We are all made of star stuff.”

Diamonds

Diamonds acrylic and oil on canvas 20 cm x 20 cm

Diamonds
acrylic and oil on canvas
20 cm x 20 cm

Miriam as Pisces

 

Ruminating

Ruminating Acrylic and oil on canvas 75cm x 55cm

Ruminating
Acrylic and oil on canvas
75cm x 55cm

Lucy as Aries.

Twinkling

Twinkling acrylic and oil on canvas 20 cm x 20 cm

Twinkling
acrylic and oil on canvas
20 cm x 20 cm

Zia as Taurus

Little Fish

LIttle Fish Acrylic and oil on canvas 20 cm x 20 cm

LIttle Fish
Acrylic and oil on canvas
20 cm x 20 cm

Rob as Sagittarius

Bright

Bright acrylic and oil on canvas 20 cm x 20 cm

Bright
acrylic and oil on canvas
20 cm x 20 cm

Miriam as Pisces